Puli is an uninspiring fantasy adventure film, feels S Saraswathi.
Thozha is definitely worth your time, writes S Saraswathi.
Trisha Illana Nayanthara is a prejudiced portrayal of modern day youngsters discovering their sexuality, says S Saraswathi.
Navratri celebrations in Chennai are not only about Golu dolls, Saraswathi Puja or Ayudha Puja. These days, Durga Puja and Dandiya Raas too are regular events in the city, reports S Saraswathi.
Despite the compelling plot, Kanithan is an uninspired action thriller that has little to offer, feels S Saraswathi.
Aarathu Sinam has many exciting moments that make it worth a watch, writes S Saraswathi.
Rio Olympics bronze medal-winning wrestler Sakshi Malik wasn't fully prepared for last month's Asian Wrestling Championship, her first international event after the quadrennial games, she revealed.
Thaarai Thappattai may not appeal to all but it is definitely worth a watch.
The film is packed with comedy actors, trying to outdo each other but the narrative is slow and tedious, says S Saraswathi.
The film starts out well with plenty of fun and intrigue, but the second half does not live up to the promises of the first, writes S Saraswathi.
The hospital said she 'continues to be under treatment and observation for all vital parameters, respiratory support and passive physiotherapy'.
Director Lakshman pitches love against money in Romeo Juliet and there are no prizes for guessing which one wins, writes S Saraswathi.
Director Bakkiyaraj Kannan's Remo is a ridiculous romantic comedy revolving around the hero's struggles to win the girl of his dreams.
Marudhu will give you a headache, warns S Saraswathi.
Ko 2 is too dreary to make an impact, feels S Saraswathi.
Pencil is an engaging thriller with an interesting plot and good performances, feels S Saraswathi.
Despite the poor technical support and the monotony, Radha Mohan's Uppu Karuvaadu leaves you with a smile, says S Saraswathi.
Suriya is undoubtedly the star of the show as the cold-blooded Athreya, showing no mercy or remorse, writes S Saraswathi.
The Tamil version does not boast of strong characters, feels S Saraswathi.
'Things are far from normal. The roads are still under several feet of water and every time we venture out, it is a nightmare wading through the water that is no longer flowing but stagnant, filthy and foul-smelling. Shops are yet to stock up on supplies. Power supply is erratic and there is constant fear that it might go off again.' S Saraswathi recalls the horrific four days of her life.
Good performances, a well-written screenplay and great comedy make Vasanthamani's Vetrivel a decent watch, writes S Saraswathi.
Freshly packed ladoos were distributed by exuberant party workers to everyone on the road, and even to commuters on the bus, auto and bikes.
Thoonga Vanam is definitely not your regular thriller, writes S Saraswathi.
The director has kept the narration simple without any unnecessary drama and both - the situations and the characters - appear real, says S Saraswathi.
The narrative seems to go absolutely nowhere from start to finish, says S Saraswathi.
What does the box office of Akshay Kumar and Hrithik Roshan's film have to say?
Pokkiri Raja is a silly meaningless action comedy, says S Saraswathi.
Enakkul Oruvan is an engaging and admirable effort by debutant director Prasath Ramar, says S Saraswathi.
Pichaikkaran may have overdosed on action and sentiment but the film is definitely worth your time, says S Saraswathi.
Yatchan is an unexciting action comedy, writes S Saraswathi.
The film is reduced to a lame science fiction with an overdose of action, writes S Saraswathi.
Vil Ambu is an engaging thriller, writes S Saraswathi.
Jil Jung Juk does have its share of laughs but it lacks the chaos, excitement and crazy fun that would have made the film more enjoyable, writes S Saraswathi.
The film appears more colorful and vibrant but drags a bit in the second half, writes S Saraswathi.
Vasuvum Saravananum Onna Padichavanga is a silly and tasteless romantic comedy that's not worth your time, warns S Saraswathi.
Director Vijay Chander's Vaalu is a regular commercial entertainer with a weak plot, poor execution, unrealistic action and mindless fun, writes S Saraswathi.
The VFX is rather ordinary and the film is loaded with annoying horror clichs, feels S Saraswathi.
Some of the performances are ordinary, but even that does not affect the magic of this film, says S Saraswathi.
